“They were my two closest friends,” Lowe says. Both had been with him since his career renaissance in the mid-1990s. So you think, ‘Why would I put myself through making another record?’”īut beyond those practical considerations, Lowe faced a larger emotional impasse – the untimely deaths of his two longtime creative partners, drummer Bobby Irwin and producer Neil Brockbank, in 20, respectively. You can travel in quite a degree of comfort and be nicely thanked for your efforts. Also, the live thing is so easy to do now. Never mind that nobody really buys records anymore. Plus, to make the kind of records I know how to make is incredibly expensive. So I wasn’t exactly laden with new material. I can spend quite a long time fiddling around with some little two-and-a-half minute tune, then finally go, ‘Oh, I’ve heard this before so many times,’ and just drop it. I write songs all the time, but the thing about getting older is that I’m extremely self-critical. “First, I’ve never been particularly prolific. “I’d been dodging the thought of making more records for a few reasons,” Lowe says. But suddenly, the affable rocker-next-door felt he had to step back to take stock of his situation. As detailed in a lengthy retrospective feature in Rolling Stone this past December, Lowe had ridden into 2018 astride a storied forty-plus year career as an artist, producer and one of the most-revered songwriters of his generation. Three years ago, Nick Lowe had almost convinced himself that his days of making records were over.
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